The City of Big Readers

I didn't know what to expect when I accepted an invitation to participate in a holiday gathering of the Mayor Daley High School Book Club. Karen Burke, the club coordinator, explained that the book club had been meeting with the mayor for thirteen years, and that this would be the last gathering. I've long been grateful to Mayor Daley for his extraordinary support of reading and public libraries, and I'd been told that he was a big reader, but I was unprepared for his warmth, candor, and caring in conversation with students from Orr Academy High School on Chicago's West Side. The students were also a revelation. So smart, so funny, so sweet in the best sense of the word. Gorgeous, it must be said, and giving. So, too, their radiant and, clearly, loved teacher and school librarian. It was a room full of passion for learning, for sharing, for stories, and for books (students named as their favorites Stephen King and Kurt Vonnegut). And for pizza.

Mayor Daley spoke frankly about how tough life is, how vulnerable we all are, how crucial education is, how essential books are to navigating the world. He sat forward and talked intently about how he struggled in school, how mortifying it was to fail the bar exam twice, with his father as mayor and his heart set on a state's attorney job. Mayor Daley told us about how his grandfather was killed by a drunk driver, a neighbor, just days before Christmas, and how difficult the holiday was forever after for his mother. He spoke with love and sorrow about his son who died before he turned three, and of how much life the young boy possessed. He spoke with pride and relief of his son who has just returned from serving in Afghanistan, and of how we need to bring all the troops home now.

The mayor showed us his office, or rather, his three offices, rooms in descending levels of formality. Rooms filled with the auras of conversations, arguments, thoughts, and emotions, as well as gifts, art, memorabilia, and, most of all, family photographs. And photographs of policemen killed in the line of duty, of teens shot down on the street for no good reason. Every day Mayor Daley studies photographs of these fallen Chicagoans with profound sorrow and concern, renewing his vow to do his best to do right by everyone who calls Chicago home.

But this was a day for celebration. The mayor, smiling and joking, yet always commanding, gamely posed for photographs with each of the Orr students, young women and young men full of desire for meaning and accomplishment, full of creativity and hope. This is what it is to be a mayor of a big complicated city. To feel grief and responsibility, and to mentor the young and promising, and feel joy in their beaming presence.

I cannot thank Karen, the mayor, his staff, and all the Orr Academy students and their teacher and librarian enough for an inspiring and uplifting meeting of the mind and spirit. To talk about books and how books enrich and guide us, to talk about what it means to live life fully and positively, to express gratitude and laugh together, I couldn't have received a greater gift.

A wild and beautiful book

Becoming Animal: An Earthly Cosmology. By David Abram. Pantheon.

How is it that our curious, inventive species has gone from worshipping nature to destroying it? Why did human beings lose appreciation for the great mesh of earthly existence and our place within that intricate and spectacular dance of life-sustaining relationships? A creative and visionary ecologist and philosopher, David Abram offered provocative answers to these complex and urgent questions in his first book, the highly influential Spell of the Sensuous (1996). In his second recalibrating mix of stories, reflections, and discoveries, he offers original and profound insights into the causes of our disparagement of “sensuous reality,” of “bodied existence,” and the horrific consequences of our increasing detachment from the living world, a separation accelerated by the seductiveness of the cyber realm.

Abrams reawakens appreciation for our knowing bodies and minds––our animals selves which evolved to thrive on Earth, in one ravishing passage after another. From encounters with other animals (Abram’s tales of the wild are extraordinary) to an astonishing response to shadows to the many forms of sentience on the planet to an arresting discussion of the significance of oral culture. Not only does Abram write with poetic precision and ethical intent, he also draws on his unusual experiences as a sleight-of-hand magician and his apprenticeship to indigenous shamans as he writes about perception, awareness, and the endless complexity and surprises of the living world with breathtaking insight.

Wonder is an emotion we need more of, Abram believes, and this is a book in which close observation and sustained contemplation of natural wonders inspires an “earthly cosmology” meant to redirect our attention and compassion away from the human-made realm and back to the “enfolding earth.” We can’t “restore” nature, Abram writes, without “restorying” our breathing, spinning, sentient planet, and this enrapturing book is a start, as Becoming Animal reminds us that the sacred is in our every cell and everywhere around us.

Fiction books | The novel still makes an impact - KansasCity.com

Click here to read about a great harvest of fall fiction:

Fiction books The novel still makes an impact - KansasCity.com

Eight Forty-Eight - Laurence Gonzales Explores Human-Ape Hybrid in New Novel

I don't read many thrillers, but I couldn't resist this smart interspecies tale and its irresistible hero.

Click here to listen to my interview with the author of LUCY:
Eight Forty-Eight - Laurence Gonzales Explores Human-Ape Hybrid in New Novel

Cold Snap on a hot day

A review:

BOOKLIST, June 2010

Cold Snap: Bulgaria Stories.By Cynthia Morrison Phoel.2010. 240p. Southern Methodist, $22.50 (9780870745614).

Phoel’s first collection of stories and a novella incisively dramatizes the interlocked lives of the beleaguered denizens of a Bulgarian town. Phoel spent time in Bulgaria as a Peace Corps volunteer, but one gets no sense of an outsider looking in. Instead, she fully inhabits the minds of her jittery characters as they grapple with various forms of family pressure, poverty, and the maddening cold. Young Dobrin’s brow is becoming permanently furrowed as he worries about his overworked mother and cavalier father, as a giant satellite dish funnels a nonstop stream of soccer and porn into their humble and frigid apartment. Galia has been utterly passive, but now that she’s pregnant, mutinous thoughts are brewing. Mathematician Plamen is plagued by self-loathing. In charge of central heating, Nasko is besieged. With the fierce cold serving as a metaphor for the deep social freeze of this long tyrannized land, Phoel is as confident as the great Russian writer Gogol in her acid humor and insightful portrayals of people who “could endure anything,” making for an unusually commanding and affecting debut. —Donna Seaman

A Chicago Public Radio interview:

Eight Forty-Eight - Author Cynthia Morrison Phoel's 'Cold Snap'

Review | ‘A Visit From the Goon Squad’ by Jennifer Egan - KansasCity.com

Jennifer Egan is one smart and electrifying novelist. Here's a review of her latest:
Review ‘A Visit From the Goon Squad’ by Jennifer Egan - KansasCity.com

Eight Forty-Eight - Lit Scholar Writes Third Book of Short Stories

A conversation with the versatile, smart, and funny writer Joseph Epstein:

Eight Forty-Eight - Lit Scholar Writes Third Book of Short Stories

'Discovering Margot Peet' is a portrait of an unsung KC artist - KansasCity.com

A review in today's Kansas City Star:


'Discovering Margot Peet' is a portrait of an unsung KC artist - KansasCity.com

Eight Forty-Eight - Author's Collection Takes on New Meanings of "Slut"

Radio!

My latest on Chicago Public Radio, a conversation with Gina Frangello about her story collection, Slut Lullabies:


Eight Forty-Eight - Author's Collection Takes on New Meanings of "Slut"

Living on Earth

What a thrill to appear once again on this fantastic radio show.
http://www.loe.org/shows/segments.htm?programID=10-P13-00012&segmentID=5

Daily Beast debut

A Daily Beast article sparked by a new novel about Emily Dickinson.
http://www.thedailybeast.com/blogs-and-stories/2010-03-01/emily-dickinsons-racy-side/full/

NBCC Awards

The National Book Critics Circle Awards finalists were announced in New York yesterday. It's an exciting list--see below. Of particular resonance to me are fiction finalist Bonnie Jo Campbell for American Salvage, criticism finalist Eula Biss for Notes from No Man's Land, authobiography finalist Debra Gwartney for Live Through This: A Mother's Memoir of Runaway Daughters and Reclaimed Love, biography finalist Benjamin Moser for Why This World: A Biography of Clarice Lispector, and nonfiction finalist William T. Vollmann for Imperial.

I'm also elated that the incomparable Joyce Carol Oates received the Ivan Sandrof Lifetime Achievement Award. And that New Yorker critic Joan Acocella received the Nona Balakian Citation for Excellence in Reviewing, for which I'm thrilled to have been a finalist.

Here's all the information. Kudos and gratitude to the hard-working NBCC board:

Autobiography:
Diana Athill, Somewhere Towards the End (Norton)
Debra Gwartney, Live Through This: A Mother's Memoir of Runaway Daughters and Reclaimed Love (Houghton Mifflin Harcourt)
Mary Karr, Lit (Harper)
Kati Marton, Enemies of the People: My Family's Journey to America (Simon & Schuster)
Edmund White, City Boy, Bloomsbury

Biography:
Blake Bailey, Cheever: A Life (Knopf)
Brad Gooch, Flannery: A Life of Flannery O'Connor (Little, Brown)Benjamin Moser, Why This World: A Biography of Clarice Lispector (Oxford University Press)
Stanislao G. Pugliese, Bitter Spring: A Life of Ignazio Silone (Farrar, Straus and Giroux)
Martha A. Sandweiss, Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line (Penguin Press)

Criticism:
Eula Biss, Notes From No Man's Land: American Essays (Graywolf Press)Stephen Burt, Close Calls with Nonsense: Reading New Poetry (Graywolf Press)
Morris Dickstein, Dancing in the Dark: A Cultural History of the Great Depression (Norton)
David Hajdu, Heroes and Villains: Essays on Music, Movies, Comics, and Culture (Da Capo Press)
Greg Milner, Perfecting Sound Forever: An Aural History of Recorded Music (Faber)

Fiction:
Bonnie Jo Campbell, American Salvage (Wayne State University Press)Marlon James, The Book of Night Women (Riverhead)
Michelle Huneven, Blame (Sarah Crichton Books/FSG)
Hilary Mantel, Wolf Hall (Holt)
Jayne Anne Phillips, Lark and Termite (Knopf)

Nonfiction:
Wendy Doniger, The Hindus: An Alternative History (Penguin Press)
Greg Grandin, Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City (Metropolitan Books)
Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science (Pantheon)
Tracy Kidder, Strength in What Remain (Random House)
William T. Vollmann, Imperial (Viking)

Poetry:
Rae Armantrout, Versed (Wesleyan)
Louise Glück, A Village Life (Farrar, Straus and Giroux)
D.A. Powell, Chronic (Graywolf Press)
Eleanor Ross Taylor, Captive Voices: New and Selected Poems, 1960–2008 (Louisiana State University Press)
Rachel Zucker, Museum of Accidents (Wave Books)

Nona Balakian Citation for Excellence in Reviewing: Joan Acocella

Finalists:
Michael Antman
William Deresiewicz
Donna Seaman
Wendy Smith

Ivan Sandrof Lifetime Achievement Award: Joyce Carol Oates

The National Book Critics Circle, founded in 1974 at the Algonquin, is a nonprofit, tax-exempt organization consisting of some 600 active book reviewers who are interested in honoring quality writing and communicating with one another about common concerns. It is managed by a 24-member all-volunteer board of directors. For more information, please contact National Book Critics Circle president Jane Ciabattari at janeciab@gmail.com or go to www.bookcritics.org.

Eight Forty-Eight - Exploring the Art of Edgar Miller

Here's my latest Chicago Public Radio piece. Listen to the fabulously articulate and knowledgeable Richard Cahan and Michael Williams talk about their gorgeous new books, Edgar Miller and the Handmade Home. Here's a link:

Eight Forty-Eight - Exploring the Art of Edgar Miller

Copenhagen Reads

As leaders and experts assemble in Copenhagen to talk about the overarching issue all earthlings face, our changing climate, I want to share with you two BOOKLIST reviews of two books that provide deep background for this gathering. Hard-hitting books that decry the politics of the crisis, explain the science, and provide plans for a smarter future. Be informed. Ignorance is dangerous.

*Starred Review* Our Choice: A Plan to Solve the Climate Crisis.By Al Gore. 2009. 415p. illus. Rodale, $26.99 (9781594867347).
First published November 23, 2009 (Booklist Online).

Nobel laureate Gore is dedicated to the most important mission on the planet: educating humankind about the causes and consequences of global warming, and offering solutions to the looming crises implicit in the changes to Earth’s climate and habitability that are already well underway. No one is more qualified than Gore to lead the collective movement beyond fossil fuels, given his command of the science and politics involved, his invaluable global connections and resources, and his sensitivity to our reluctance to face “the magnitude and gravity of the climate crisis.” As he did in An Inconvenient Truth (2006), Gore matches clear and ringing explanations and commentary with superb supporting diagrams and illustrations and striking photographs from around the world, documenting the dramatic impacts of human industry and climate change. He begins by providing the straight facts about the sources of the pollutants causing global warming and the disastrous energy inefficiency of our buildings, vehicles, appliances, and industrialized agriculture. Here, too, is the searing truth about the campaign of climate change denial via disinformation and ridicule orchestrated and paid for by oil and coal corporations. But after spending three years convening “Solution Summits” and assessing the fruits of those productive discussions, Gore’s trajectory is away from blame and despair and towards answers and encouragement. The result is a veritable catalog for a better world. A practical guide to solar, wind, and geothermal power and smart “super grids,” endeavors China is already pursuing. Gore also eloquently explains how the harnessing of renewable energy sources will solve an entire matrix of global traumas. Our Choice is an inviting and momentous compendium of environmental discovery (with 100 percent of its earnings going to the Alliance for Climate Protection) that addresses the greatest threat our species has yet encountered with intelligence, knowledge, wisdom, and faith in human empowerment. This is a book that should be displayed and talked about everywhere. —Donna Seaman


*Starred Review* Storms of My Grandchildren: The Truth about the Coming Climate Catastrophe and Our Last Chance to Save Humanity.By James Hansen. 2009. 320p. illus. Bloomsbury, $25 (9781608192007).
First published BOOKLIST, December 1, 2009.

Climatologist Hansen, director of the NASA Goddard Institute for Space Studies and an internationally renowned global-warming expert, became even more famous when he was censored by the Bush administration. After decades of studying the role fossil fuels play in global warming and witnessing the federal government’s failure to take action to lower carbon emissions, he felt compelled to write his first book out of concern about the potentially catastrophic future facing his grandchildren. Hansen condemns governmental “greenwashing” and the undue influence of more than 2,300 energy lobbyists, and attempts to close the gap “between public perception and scientific reality” by lucidly explaining the dynamics of global warming, its acceleration, and how a slight rise in temperature can lead to disastrous consequences. He then boldly declares that the way to solve the climate crisis is to “rapidly phase out coal emissions.” How will we meet our energy needs without coal? Hansen tells the “secret story” of the jettisoned “fast” nuclear reactor, a safer and more efficient reactor than those currently in use, and advocates for its resurrection. Rich in invaluable insights into the geopolitics as well as the geophysics of climate change, Hansen’s guaranteed-to-be-controversial manifesto is the most comprehensible, realistic, and courageous call to prevent climate change yet. It belongs in every library. —Donna Seaman

Review news

Click here: Kansas City Star to read my review of two new books by the versatile and sharp Kelly Cherry.

Heartland gal does good

The houses are ramshackle, the trucks old, the weather extreme. The men, wearing shabby camouflage and stained feed company caps, are battered and scarred. They drink too much and work too hard with metal molten and stone-cold. They stand by their women no matter how ornery, destructive, or flat-out crazy they are. Or they think about killing them. And the women do the same for the men. Money is tight; jobs are disappearing, as is the wildlife; loneliness is a plague, and folks keep burning down houses while cooking meth. Welcome to rural Michigan, Bonnie Jo Campbell’s home ground, and welcome to American Salvage, a short story collection of rare impact. These are fine-tuned stories of metaphorical glory shaped by stealthy wit, stunning turns of event, and breath-taking insights. This is America, all right, and salvage is a concept Campbell illuminates in so many ways, readers will themselves feel saved, reborn, transformed.

I’ve been a raving Bonnie Jo Campbell fan for 10 years, even since I was knocked down in bliss and wonder by her first book, Women and Other Animals, and oh yes, what a title. Bonnie Jo’s novel is Q, The Road. She is the winner of a Pushcart Prize, the AWP Award for Short Fiction, and the Southern Review’s Eudora Welty Prize. I had the great pleasure of including a story by Bonnie Jo, "Septmeber News from Susanna's Farm," in the issue of TriQuarterly I guest-edited. Campbell is a sizzling writer. American Salvage is a brilliant, brave, unforgettable book. And it is a finalist for the National Book Award, a tremendous feat for a book of short stories from a small university press.

Here's my starred BOOKLIST review (yes, I know, I've already looted it above):

*Starred BOOKLIST Review* American Salvage.
By Bonnie Jo Campbell.
2009. 184p. Wayne State Univ., paper, $18.95 (9780814334126)

The houses are ramshackle, the trucks hard-used, the weather extreme. The men, clad in shabby camouflage, are battered and scarred. They labor at dangerous, soul-killing jobs; hunt; drink too much; and stand by their loved ones no matter how flat-out crazy they are (or they think about killing them). Ditto for the women. Money is tight; the old ways and the precious wildlife are disappearing; loneliness is a plague; and the meth-cookers keep burning down the house. Welcome to rural Michigan, Campbell’s home ground, and a story collection of rare impact. These fine-tuned stories are shaped by stealthy wit, stunning turns of events, and breathtaking insights. Terrible injuries, accidental and otherwise, leave people and animals in misery, but they are salvaged, maybe even healed. Against all odds, salvation counterbalances loss and despair in unexpected ways in this small place of big feelings, where everyone is yoked together for better and worse, and where, as one persistent survivor observes, “what looked like junk to most people could be worth real money.” Campbell’s busted-broke, damaged, and discarded people are rich in longing, valor, forgiveness, and love, and readers themselves will feel salvaged and transformed by this gutsy book’s fierce compassion.

And watch for my interview with Bonnie Jo Campell on Chicago Public Radio.

On the cusp of autumn, Diane Ackerman looks to the cusp of day

“The lamp of art allows one to shine light into dark corners.” ––Diane Ackerman

I love that Diane Ackerman’s new book is titled Dawn Light, because she’s been a guiding light in my life.

In Dawn Light, Ackerman contemplates many facets of “dawn” as both noun and verb. As in all her graceful, metaphor-lush, and, by turns, whimsical and deeply affecting books, from the genre-defining A Natural History of the Senses (1990) to the bestselling The Zookeeper’s Wife (2007), Ackerman deftly interleaves science with art, and the personal with the historical to created a verdant word garden rich in observations, stories, and musings.

She begins by noting that “dawn is always a rebirth, a fresh start,” then takes great pleasure in describing all that the first light of day delivers, stirs up, and transforms. In her naturalist mode, Ackerman witnesses the arrival and impact of dawn season by season from a balcony in Palm Beach, Florida, and in her home in Ithaca, New York. Birds get top-billing in tales of doves, cranes, wrens, and a very smart, funny, and grammatically precise starling, but, as always, Ackerman casts her net wide to embrace spiders, honeybees, and snails, as well as milkweed and lotuses. Natural phenomena of all kinds fascinate her, so we learn, too, about rust (“a very slow fire”), the dynamics of a “cloud glory,” and the shapes of rain.

No species is as urgently interesting to Ackerman then our own, and her roaming meditation on dawn includes reflections on diverse dawn rituals and goddesses, and on artists inspired by “dawn’s half-open doorway between dream and wakefulness,” especially the Japanese printmaker Hokusai and impressionist Monet.

Cascading detail, sensuous celebrations, hard-won insights into the human psyche, all is rendered in a glorious spectrum of dark and “dawn light,” as Ackerman, a gentle but resonant teacher, awakens us to the exquisite interconnectivity of life, and to the worlds within and without, to sorrow and joy.

A beautiful novel and homage to literature

A month has gone by since my last post, I'm ashamed to note. My excuse, well, you know, I've been devoting keyboard time to other things. But today I want to rave about an August novel:

Once on a Moonless Night by Dai Sijie. Tr. by Adriana Hunter.
Knopf, 288p. 24.95 (9780307271587).


The spell cast by Dai Sijie’s novels, beginning with his bestselling Balzac and the Little Chinese Seamstress
(2001), is attributable, in part, to his work as a filmmaker—his fiction is strikingly visual, and most certainly to his bicultural and bilingual experiences. Born in China, where he underwent “re-education” as a boy, Dai came to France at age 30 in 1984. The unnamed narrator in his third bewitching and suspenseful novel about the power of literature makes the reverse trip.

A French college student inspired by the extraordinary work of Paul D’Ampere, a gifted Frenchman linguist who retraced the steps of Marco Polo and then disappeared, she is studying Chinese in Peking in 1978 when she hears the story of a missing ancient Buddhist scroll while riding a train—the first of many journeys of inquiry. She also falls in love with a Peking greengrocer, a young man named Tumchooq after “the language in which Buddha preached.” Through a finely embroidered series of flashbacks, Dai reveals Tumchooq’s connection to D’Ampere and the long lost Buddhist sutra, which begins with the phrase, “Once on a moonless night.”

Dai’s darkly beautiful, suspenseful, and cosmic novel, as richly historical as it is imaginative, is set in the Forbidden City, a Chinese prison camp, Paris, Mali, and Burma, and structured so exquisitely it illuminates “Hell, the earthly world, and Paradise.” Dai’s dazzling and poetic tale of epic quests, martyred scholars and artists, the courage of one’s convictions, and love put to the test tells us that language is transcendent; books are sacred; translation is a noble art; stories are the key to freedom, and truth will be found.

Writers on stage

July is getting away from me. I spent last weekend at the American Library Association's Annual Conference here in Chicago, where I had a lot of fun introducing eight writers at a marathon "Live" reading. First up was poet Ed Lee Bok, who has a galvanizing stage presence to match his powerful poems. Check out his book, Real Karaoke People. published by New Rivers Press. Here's the opening stanza in his poem, "The Secret to Life in America":

My brother sits me down and tells me
the secret to life in America.
I'm twelve years old when this happens.
He grabs my shoulders and says:
No one likes an immigrant.
It reminds them of when they fell down
and no one was around to help them.
When they couldn't talk.
As children when they got lost in public.
Cold and wet, everyone hates an immigrant.

More "Live" authors to follow.

Lit Radio

First of all, I'm going to appear on Rick Kogan's The Sunday Papers, a lively live radio show on WGN 720AM which has a huge reach both in the air on the Internet. We begin at what is for me an impossibly early hour, 6:30 am Central time. I'm going to be talking about the issue of TriQuarterly I guest-edited, and making some summer reading recommendations. Rick is a great guy. Knowledgeable and insightful, and intense yet relaxed. Warm, baby. Passionate and funny and caring.

And speaking of good guys, I reviewed Chicago writer Billy Lombardo's new book, How to Hold a Woman for Chicago Public Radio, on Eight-Forty-Eight. What joy. Here's the audio link:

http://www.chicagopublicradio.org/Content.aspx?audioID=34979

And here's the review for you readers. But I have to say, the audio is splendid.

How to Hold a Woman by Billy Lombardo.

Reviewed for Eight-Forty-Eight on Chicago Public Radio by Donna Seaman

Broadcast June 19, 2009

Give it to me slant, say some. While many readers prefer straight-ahead, point A to point B plots, other are bored by linear storylines and search for fiction that takes a more covert approach. It’s a curious thing that nearly everyone accepts all kinds of fractured timelines, abrupt relocations, and narrative gaps in movies, but when fiction is structured this way, objections are raised, and the dreaded word “experimental” is waved about like a cautionary flag. Personally, I love fiction that rides like a car on a winding road. One that passes through deep shadows into the crystal light, then back into the cool, mysterious dark, and out again into the warm sun, each emergence revealing a new vista. This is why I love the hybrid literary form known rather clumsily as a novel-in-stories.

Some examples of this form: Elizabeth Strout’s Pulitzer Prize-winning Olive Kitteridge. Chicago writer Stuart Dybek is a seminal artist in the novel-in-stories mode. He is also a clear influence on Chicago writer Billy Lombardo. Like his first book, Lombardo’s second, How to Hold a Woman, delivers scenes that involve young characters: precocious 12-year-old Isabel and her symbiotically entwined brothers, Dex, 8, and Sammy, 4. But How to Hold a Woman is about a marriage under siege.

It begins with a charming, if loaded story, or chapter, titled “At Khyber Pass (August 2002).” Alan Taylor has just landed at O’Hare Airport, home from observing ring-tailed lemurs in Madagascar, and he’s looking for his wife, Audrey, and their three children. But only two kids are in the car, and the thing is, we never see the family whole. Sammy jabbers about baseball; sexual tension builds between the too-long-apart adults as they stop at a restaurant for dinner; they all tell Alan about how the kids got lost at a festival in Evanston, and Isabel reveals her utter enthrallment to The Great Gatsby. The curtain closes. The next story takes place two years later. Things have changed. Its breakfast time and Alan is trying to make light of Audrey’s silent rage.


The third story, set two years later, is told from Audrey’s point of view. She still teaches English, but Alan is no longer an animal behavior research scientist. He’s a lawyer working for the Chicago Police. Why did he change careers? Audrey takes measure of her body, as though neither she nor anyone else has appreciated it in a long time. This is when we learn that the family has suffered a tragedy. Audrey is grieving.

Lombardo’s novel-in-stories is breathtakingly concise. A book in which what isn’t said exerts a powerful pressure, like the dark matter of the universe. The dialogue is crisp, combative. The body language is almost ritualized in its gestures. One day, Audrey and Dex stop to peer through the window of a dance studio, where children spin like perfect little automatons, a perfect embodiment of the family’s mode of survival, while on the streets menace pervades. A backpack is stolen. A man falls from a building. Danger and death lurk around every corner.

But this is not a grim book, nor is it a soaper. There is humor here, especially in scenes featuring Sammy and Dex, who crack each other up and drive each other crazy over swearing and the misheard words of a Jethro Tull song. This is a sexy book about married love, about sex as an affirmation of life. Billy Lombardo’s How to Hold a Woman also conveys an exquisitely sensitive vision of unexpected beauty and connection, most remarkably in the story “The White Rose of Chicago,” in which an entire world of pain, sympathy, strength, and grace unfolds within the confines of a Clark Street bus. It’s amazing how many insights into the dynamics of marriage and family Lombardo fits into this supple novel-in-stories, this nuanced mosaic of shattered lives gently reassembled, and newly treasured.